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Audience Rating: NR (Not Rated) Binding: VHS Tape EAN: 9786303029306 Format: Color, Subtitled, NTSC ISBN: 6303029302 Label: New Yorker Video Manufacturer: New Yorker Video Number Of Items: 1 Publisher: New Yorker Video Release Date: January 01, 1998 Running Time: 122 minutes Studio: New Yorker Video Theatrical Release Date: 1985 Sales Rank: 8275
Rating: - A movie that waits for its release on DVD format!
Impressive portrait of this historical personage. Barbara Sukova made the best role of her career, deserving for this role the coveted Silver Bear in Berlin, 1986 sharing honors with Cher in Mask.
A superb and unforgettable masterpiece.
Rating: - History Made Complex!
The reviewers below are to be thanked for helping to give other viewers (or potential viewers) of this film an idea of its historical context. Many in today's audience, particularly on this side of the ocean, may well need more context than the film itself provides. Rosa Luxemburg was still something of a leftist icon in the Germany of the 80s (and less of one in the US of the 60s)...and writer/director Margarethe von Trotta presumes a certain political and historical awareness on the part of the audience. Young, leftist-oriented Germans of the mid-80s (when this film was made) probably had such awareness: I have to wonder though if, more than a decade after the fall of European Communism, knowledge of and sympathy towards such a movement and its progenitors isn't rapidly fading.
But as others have suggested, this film is not a tract. It is less about Rosa Luxemburg the thinker and revolutionary, than it is about Rosa Luxemburg, the human being, and on that level, it works very well indeed. Unlike the reviewer below, I don't have the impression that too much time is devoted to the love story component. Indeed, the scenes with male lovers are fleeting and a little vague; her warm, sisterly friendships with women colleagues are more clearly and effectively portrayed.
I do agree, however, that as in English language film biographies, the characters' political positions tend to expressed, head-line style, in a hurried, sketchy manner. Pay close attention whenever a group of people sit down to dinner or over coffee or a glass of wine; that's when the political banter is about to begin, and you can scarcely follow without a program.
That shouldn't be such a worry, however. Trotta is actually very good at capturing the overall intensity of these internal political debates among revolutinaries, while at the same conveying a sense of the personalities involved. Not always an easy task when a film is as much about the great sweep of history as it is the individuals who drive it (or attempt to).
And speaking of the human element, much of the credit for this nuanced portrait of Rosa Luxemburg is due to Barbara Sukowa's glowing performance. It's a pity that we don't see more of her on this side of the pond. The last film I saw her in was Agniezska Hollander's THIRD MIRACLE--and that was all in flashback with little or no dialog! She deserves better.
The entire cast is actually quite good. Trotta is a skilled director and a thoughtful screenwriter. The cinematography is also impressive in a very unobtrusive ... Read More
Rating: - Love on the Left
The Social Democratic party was originally founded as the political arm of German Marxism. Extremely successful in mobilizing support in the working class, it was almost from the first torn by a question it never successfully resolved. Was the purpose of the party to advance the cause of the working class through legal, democratic means, or was it simply to represent those interests as best it could until capitalism collapsed from its contradictions and gave way to socialism?
This debate continued more or less up until the defining moment for European socialism, the outbreak of World War I, and it is this context that ROSA LUXEMBURG dramatizes. The right-wing of the party, which believed in legal means, like their counterparts across Europe sided with their national governments and voted in favor of war. These right wing socialists were also entrusted with leading the German state after the Armistice. They are the ancestors of the modern Social Democratic party now leading Germany.
Left-wing social democrats, like Luxemburg and Karl Liebknecht, opposed the war and were imprisoned for their beliefs. At the end of the war, Luxemburg and Liebknecht jointly opposed the new Republic with the left-wing Sparticist group, which evolved into the German Communist party. Although highly critical of the right-wing social democratic government, Luxemburg, (who incidentally was Polish), was equally wary of left wing extremism. She frequently criticized the tactics and policies of Leninism and the Bolsheviks, for example. It is unclear what path her politics might have taken if she and Liebknecht had not been martyred by members of the notorious Freikorps. (A group of unemployed, footloose soldiers and thugs, many of whom eventually drifted into National Socialism.)
The film does a reasonably good job of encapsulating Luxemburg's complex theories. All the political ideas are pretty much reduced to Headlines spoken by Big Names (Luxemburg, Karl Kautsky, August Bebel, Carl Bernstein, et. al.), but the film does give you a sense of the range of opinion represented on the left at the time. Thus your opinion of ROSA LXUEMBRUG is less likely to stand or fall on your sympathy with the politics than with whether or not you believe a biography of a major political figure is enriched or cheapened by a heavy attention to her love affairs. Personally, I would prefer more politics, but the affairs are a price worth paying for a decently serious big budget film about a controversial figure.
Aside from a needlessly convoluted time structure, the filmmaking ... Read More
Rating: - good
Movie focuses on Rosa's personal life with her lovers, the German Social Democrat party struggles before/during/after WWI, Rosa's experiences in her many different prison cells, and finally, the Sparticist attempt to take over Berlin.
I don't know much about Rosa's politics, but I want to point out that being a Social Democrat does not make one a Democratic Socialist. They are two different things (not totally different). So when Leonard Maltin says that Rosa was a democratic socialist, I don't know if he's confusing DS's with SD's. It may be that Rosa was a DS within the SD of Germany. She did consider herself left of the SD's, which is what DS's do too.
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